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Durga Temple at Aihole


Aihole (Kannada ಐಹೊಳೆ) is a temple complex in the Bagalkot district of Karnataka, India. It is a very popular tourist spot in north Karnataka. Aihole is to the east of Pattadakal, along the Malaprabha River, while Badami is to the west of both. Aihole has the potential to be included as a UNESCO World heritage site.

History

Early inscriptions call this town Āryapura and Ārya-vole. According to hindu mythology Aihole is the place were parshuram washed his axe after killing Kshathriya's. He saw a pond(Hole in Kannada) with exclamation he called it as "Ayyo Hole" thus the name Aihole came to existance since from then. Aihole has its own historical significance and is called as cradle of Hindu rock architecture. Many temples and caves of historical importance can be found at Aihole.

Aihole was the first capital of the early Chalukyas. Here they built over 125 temples in various styles and is said to be a laboratory of experiments in rock cut architecture. Pulakesi I, one of the greatest rulers of this dynasty, moved the capital to Badami nearby. Badami was then known as Vatapi. It is from these temples that the Chalukyas gained their experience and went on to build the great temples of Pattadakal. The first phase of temple building in Aihole dates back to the 6th century CE, the second phase up to the 12th century CE. Some temples were even built as early as the 5th century CE.

Aihole inscription

The famous Badami Chalukyas King Pulakeshi II (during 610-642 A.D.) was follower of Jainism. The Shilalekh of Ravikirti in praise of Pulakeshi is still available in Meguti temple, Aihole inscription dated 634 CE, in Sanskrit language and old Kannada script.

In Aihole inscription which mentioning achievements of Pulakeshi II, he defeated king Harshavardhana.

Aihole inscription of Pulakesin II mentioned as akrantatma-balonnatim Pallavanam patim, that means the Pallavas had attempted to nip in the bud the rise of the Badami Chalukyas. The conflict of the two powers before the campaign of Pulakesin II against the Pallavas.

Inscription which prepared by Pulakeshi II (634 AD) found in the Jain Temple at Aihole, that all the scholars have relied on this inscription related to Mahabharath War and Kaliyuga.

In the Aihole inscription referred that Mangalesha's (Paramabhagavat) victory over the Kalachuris and the conquest of Revatidvipa.

According to the Aihole inscription of Pulakeshin II, a civil war between Mangalesha and Pulakeshin II, due to Mangalesa's attempt to secure the succession for his own son, which was the end of Mangalesha's reign.

In inscription of Amoghavarsha I found at Aihole, mentioned about his new administration (navarajyam geyye).

Early Chalukya style of architecture

Aihole, was the cradle of ancient Hindu temple architecture. It has more than 70 temples. The experimentation with different styles was undertaken by the artisans. The artisans worked on the rocks to create the earliest rock cut shrines. The artisans graduated to the full fledged Chalukya style of architecture.

The early Chalukyas inherited architectural styles largely from their neighbours to the north and south of their kingdom. Usage of curved towers decorated with blind arches came from northern India. Pilastered walls with panel inserts are a southern Indian style. The usage of Deccan style is in their balcony seating, angled eaves and sloping roofs, and elaborately carved columns and ceilings (George Michell,1997). In short, they artistically brought together the prevailing styles in their neighbourhood to create the Chalukya style.

Typical features unique to Badami Chalukyas architecture include mortarless assembly, an emphasis on length rather than width or height, flat roofs, richly carved ceilings, and, sculpturally, an emphasis on relatively few major figures, which tend to be isolated from each other rather than arranged in crowded groups. The aesthetic sensibility of sculpture from this period also seems to retain a certain classical quality whose impulse does not carry over into later periods of Indian art (Susan Huntington, 1985).

Tourism

The prominent temple groups at Aihole are the Kontigudi group and the Galaganatha group of temples, although historians have divided all the temples into 22 groups.

A group of three temples is referred to as the Kontigudi group of temples. One of these is the Lad Khan temple(The oldest temple at Aihole is the Lad khan temple dating back to the fifth century), named after a mendicant that lived in this temple in the 19th century , another the Huchiappayyagudi temple and the Huchiappayya math.

  • Lad Khan temple consists of a shrine with two mantapas in front of it. The shrine bears a Shiva lingam. The mukha mantapa in front of the sanctum has a set of 12 carved pillars. The sabhamantapa in front of the mukha mantapa has pillars arranged in such a manner as to form two concentric squares. There are also stone grids on the wall carrying floral designs. The temple is built in a Panchayat hall style, indicating a very early experiment in temple construction. The windows are filled with lattice style which is a north Indian style. The temple was built in late 7th or early 8th century.
  • Huchappayya (gudi) temple has a curvilinear tower (shikhara) over the sanctum (unlike the Lad Khan temple). The interior of the temple has beautiful carvings.
  • Huchimalli (gudi) temple at Aihole, built in the 7th century shows an evolution in the temple plan, as it shows an ardhamantapa or an ante-chamber annexed to the main shrine.
  • Galaganatha group temples is one of nearly thirty temples on the bank of the Malaprabha River. The main shrine of the Galaganatha temple enshrining Shiva - Galaganatha has a curvilinear shikhara, and has images of Ganga and Yamuna at the entrance to this shrine.
  • Durga temple or fortress temple is the best known of the Aihole temples and is very photogenic. It is apsidal in plan, along the lines of a Buddhist chaitya, a high moulded adisthana and a tower - curvilinear shikhara. A pillared corridor runs around the temple, enveloping the shrine, the mukhamantapa and the sabhamantapa. All through the temple, there are beautiful carvings. The temple appears to be of the late 7th or early 8th century.
  • Meguti Jain temple stands on a hillock. It is the only dated monument built in 634. The temple sits on a raised platform, and a flight of steps leads one to the mukhamantapa. The pillared mukhamantapa is a large one. A flight of stairs leads to another shrine on the roof, directly above the main shrine. From the roof, one can have a panoramic view of the plain with a hundred temples or so. The temple which was possibly never completed gives important evidence of early development in dravidian style of architecture. The dated inscription found on the outer wall of the temple records the construction of the temple by Ravikeerthi, a scholar in the court of emperor Pulakeshi II.
  • Ravana Phadi cave is one of the oldest rock cut temples in Aihole, is located south east of Hucchimalli temple. This temple dates back to the 6th century, with a rectangular shrine, with two mantapas. There is a Shivalinga in the inner room or sanctum sanctorum. This is a Shaivite cave temple with a sanctum larger than that of the Badami Cave Temples. The sanctum has a vestibule with a triple entrance and has carved pillars. The walls and sides of the temple are covered with large figures including dancing Shiva.
  • Gowda temple is built on similar lines as the Ladh Khan temple but earlier. It has sixteen plain pillars and is dedicated to goddess Bhagavathi.
  • Suryanarayana temple has a 0.6 m high statue of Surya along with his consorts Usha and Sandhya being drawn by horses. The temple dates from the 7th or 8th century, has a four pillared inner sanctum and a nagara style tower over it.
Photo Gallery:

Poetry on stone at the Meguti temple (Aihole inscription) dated 634 CE, in Sanskrit language and old Kannada script

Inside the Ravana Phadi cave, Aihole

Ravana Phadi cave at Aihole

Galaganatha Group of Temples at Aihole

Konti Gudi at Aihole

Lad Khan Temple at Aihole

Aihole Temple

Courtesy: Wikipedia

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